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” Anniek Pheifer asks a crowd of Dutch elementary school students. Jan de Doper elementary school gym is decked in heart-shaped balloons and streamers. Welcome to “Spring Fever” week in primary schools across the Netherlands, the week of focused sex ed classes… 11-year-olds discuss sexual orientation and contraceptive options.Pheifer and Pepijn Gunneweg are hosts of a kids television program in the Netherlands, and they’re performing a song about having a crush. But in the Netherlands, the approach, known as “comprehensive sex education,” starts as early as age 4.“There were societal concerns that sexualization in the media could be having a negative impact on kids,” van der Vlugt said.“We wanted to show that sexuality also has to do with respect, intimacy, and safety.” Beyond risk prevention The Dutch approach to sex ed has garnered international attention, largely because the Netherlands boasts some of the best outcomes when it comes to teen sexual health.That means encouraging respect for all sexual preferences and helping students develop skills to protect against sexual coercion, intimidation and abuse.The underlying principle is straightforward: Sexual development is a normal process that all young people experience, and they have the right to frank, trustworthy information on the subject.

It’s a technique, not dissimilarly employed in Julia Leigh’s “Sleeping Beauty,” that chillingly conveys the detached sensation of bodily appropriation, while also elegantly getting around potential censorship restrictions pertaining to the subject of underage sexuality. Their escape is ill planned and short-lived: After the couple is caught by Ulises’ father, Marcos (Edward Coward), Sofia (renamed Andrea by her captors) is put ruthlessly to work.Cannes Film Festival In pinning its narrative not on one of its grievously mistreated female victims but on the moral plight of a young man caught between obscene professional obligation and tender impulses of the heart, “The Chosen Ones” will leave some viewers justifiably yearning for a more distinct female perspective on its waking-nightmare scenario.Still, the way Pablos has chosen to frame his story highlights the overwhelming degree of patriarchal influence even in younger strata of the the society under scrutiny: Whether the film merely reinforces or damningly reflects that gender bias is open to constructive debate, but either way, it effectively arouses hot reserves of anger in its audience.Ulises poses as Sofia’s b.f., with the objective of eventually tricking her into prostitution via a fabricated financial emergency — standard operating procedure, by which the boy’s thuggish elders have already populated a dilapidated brothel with equivalently duped girls. Having genuinely fallen for Sofia, he admits the scheme to her on the eve of her planned abduction, and the young lovers attempt to flee to the U. Racked with a combination of guilt and puppy love, Ulises begs Marcos to release her, and is offered this grotesque ultimatum: Sofia will be freed from the ring only when Ulises lures another suitable girl to take her place, trading one independent life for another on the sole basis of his personal affections.He is thus required to repeat the very same bait-and-switch seduction process he achieved with Sofia — this time, crucially, keeping his heart entirely out of the matter.

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