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The first gynoid in film, the maschinenmensch ("machine-human"), also called "Parody", "Futura", "Robotrix", or the "Maria impersonator", in Fritz Lang's Metropolis is also an example: a femininely shaped robot is given skin so that she is not known to be a robot and successfully impersonates the imprisoned Maria and works convincingly as an exotic dancer.
They fought in two multi-part episodes of the series: "Kill Oscar" and "Fembots in Las Vegas", and despite the feminine prefix, there were also male versions, including some designed to impersonate particular individuals for the purpose of infiltration.
The robot's creator, Clayton Bailey, a professor of art at California State University, Hayward called this "censorship" and "next to book burning." Artificial women have been a common trope in fiction and mythology since the writings of the ancient Greeks.
This has continued with modern fiction, particularly in the genre of science fiction.
Female robots as sexual devices have also appeared, with early constructions being crude.
The first was produced by Sex Objects Ltd, a British company, for use as a "sex aid".
Probably most famous, however, is Pygmalion, one of the earliest conceptualizations of constructions similar to gynoids in literary history, from Ovid's account of Pygmalion.
In 1983, a busty female robot named "Sweetheart" was removed from a display at the Lawrence Hall of Science after a petition was presented claiming it was insulting to women.
Researchers have noted the connection between the design of feminine robots and roboticists' assumptions about gendered appearance and labor.
Fembots in Japan, for example, are designed with slenderness and grace in mind, People also react to fembots in ways that may be attributed to gender stereotypes.
A fembot is a humanoid robot that is gendered feminine.
It is also known as a gynoid, though this term is more recent.
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While not truly artificially intelligent, the fembots still had extremely sophisticated programming that allowed them to pass for human in most situations.