Secooli garl xxx

A remarkable aspect of Hyginus’ text is his insistence on the use of astronomical models, in particular, a celestial globe, as an aid to teaching or explaining astronomical principles and phenomena, particularly for “discussions on the inter-relationships between the constellations and especially between the constellations and the celestial circles.”(Lippincott p.4) Like Manilius’ “Astronomicon” and Proclus’ “Sphaera” (a text that Hyginus sought to improve upon), the “Poeticon Astronomicon” was of special interest to Renaissance astronomers who desired accurate editions of ancient texts from which they might derive a clear understanding of the astronomical knowledge of the Romans and Greeks, thereby establishing a firm foundation upon which to undertake astronomy’s “renewal”.Hyginus’ text, which gives detailed accounts of the myths associated with each of the constellations, served as source material for artists in the Middle Ages and Renaissance, one of the most famous examples of the text’s influence being the splendid ceiling painted around 1511 by Peruzzi for Agostino Chigi in the Sala di Galatea of the Villa Farnesina (See Förster, Farnesina-Studien 1880, p. One of the chief interests in Ratdolt’s editions of Hyginus (14) lies in the illustrations of the constellations, the first such illustrations to appear in a printed book.He discusses the movements of the Sun and the Moon and the five planets and touches upon Pythagorian notions of the harmony of the spheres.” (Lippincott, Kristen “The textual tradition of the De Astronomia of Hyginus”, pp.10-11) BMC V, 286; BSB-Ink H-459; CIBN H-334; Essling 285; Goff H-560; HC 9062*; Hind II, p.Book II is a compendium of myths related to the constellations, the five planets (Mercury, Venus, Mars, Saturn, and Jupiter) as well as the Sun, Moon, and Milky Way. In addition, Hyginus provides a list of the positions of the stars relative to the figure itself, describing the placements in terms of ‘left’ and ‘right’ and ‘above’ and ‘below’, in line with the tradition of descriptive star catalogues.Moreover, he tends to list the stars from the top of a figure downwards (or from the head to the feet, regardless of the orientation of the figure within the sky).Is such an idea that everyone can have, there is nothing so available to everyone as the sky.

There are diagrams of constellations in Egyptian tombs dating back to 1470 B. The sky and the oldest of all natural sciences Astronomy, offered pathways out of the darkness.This is very different from the way the more mathematically-oriented astronomers, such as Hipparchus or Ptolemy, describe the constellations.“Book IV returns to the subject of cosmology and to astronomical topics, such as the position of the constellations on each celestial circle, the unequal division of the night and day and the risings and settings of the constellations relative to the signs of the zodiac.The (re)creation of the ancient astronomical works by the Greeks and Romans, and the dissemination of these texts/ideas and traditions.This brings me (at least) to the first printing of ‘Roman via Greek’ Constellations; the ordering of Hyginus’ Stars follow those of Ptolemy’s “Almagest”.

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47 half-page woodcuts, probably designed by Johannes Santritter, of the constellation and planet figures. With neat contemporary coloring in yellow to some of the woodcuts. ) There are a few small stains, a few leaves lightly toned, some marginal soiling ( see Orion below). of Hyginus’ “Poeticon Astronomicon”, with the illustrations of the constellations and planets used in Ratdolt’s 1482 edition and an additional full-paged woodcut of an armillary sphere. The “Poeticon Astronomicon” (more correctly, the “Astronomica”) is an ancient Roman work on the constellations chiefly based on the work of the Greek scientist Eratosthenes (3 c. Julius Hyginus,a freed slave who was named to head the Palatine Library during the reign of Augustus,, but the extant text is now believed, based on stylistic analysis, to be an abridgement of Hyginus’ work made in the late second century.

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