Larabawa bluefilm

“We embrace you ‘Yan fim.’ We are together with you.We are happy that he has returned.”The win of PDP candidate Dr.This public support for PDP among some of the most visible film practitioners had put Kano based filmmakers in danger the week before.Angry about the announcement of PDP’s Goodluck Jonathan as winner of the presidential election, area boys hunted for Sani Danja, threatened other recognizable actors and vandalized studios and shops owned by Kannywood stakeholders.While Governor-elect Rabiu Musa Kwankwaso was seen as the champion of the filmmakers during the 2011 election cycle, it was under Kwankwaso, who first served as governor of Kano from 1999-2003, that the first ban on Hausa films was announced and that the Kano State Censor’s Board was created.Abdulkareem Mohammad, the pioneering president of MOPPAN from 2000 to 2007, narrated how in December 2000, the Kano State Government pronounced a prohibition on the sale, production and exhibition of films in Kano state because of the introduction of sharia.

Some of the most visible Hausa filmmakers have become increasingly politically active following a crackdown by the Kano State Censor’s Board, during which many practitioners and marketers of Hausa films had been fined, imprisoned, and harassed.A privately made phone video of sexual activity between the actress known as Maryam “Hiyana” and a non-film industry lover Usman Bobo was leaked and became one of the most popular downloads in Kano.Alarmed by what some were calling the “first Hausa blue film,” although the clip was a private affair and had nothing to do with other Hausa filmmakers, critics called for serious measures to be taken.Video download Availale in 240p, 360p, HD 720p and 1080p video formats (128kbps & 320kbps).on , but gives a good summary of the challenges faced by the Kano film industry during the tenure of former ANPP Governor Ibrahim Shekarau, and the “director general” of the Kano State Censorship Board he appointed, Abubakar Rabo Abdulkarim.

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The censorship board was ultimately meant as a protection for the filmmakers to allow them to continue their work.

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