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The songs of sorrow (‘dard bhare geet’) produce longing that was celebrated in Indian aesthetic theory as ‘vipralambha shringara’ – love in separation. It is no coincidence that Shah Rukh Khan, the biggest romantic hero of the last 20 years, weeps beautifully and often.For academics, the term Bollywood is limited to describing the mainstream Hindi film from the mid-1990s, to encompass changes in style and media contexts.Their dramatisation in the film shows Chopra’s skill with film and music, perhaps the finest example being ‘Tere Liye’/‘For You’, about being willing to sacrifice for love, and ‘Dekh Lo’/‘Look’, another song about how love can overcome difficulties.
He even takes her to ‘Italy’ (actually Hungary) to find Sameer, but on their travels she falls in love with her husband.
It’s not just the romantic melodramas, the romcoms, the romantic action films…
The typical story and structure of a Bollywood romance is that a beautiful man and woman meet, take some time to fall in love, then an unexpected crisis brings us to the interval.
When Veer later learns she loves him, he leaves his job to go to Pakistan, where he is imprisoned as a spy.
This film was seen as the great Yash Chopra’s tribute to Punjabiyat or Punjabiness, showing that while the state may have been divided on religious grounds in 1947, there is much shared culture and history.